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Flou has a solution to complex music industry contracts

Even the sexiest music industry deals come crashing down into reality when the deal is announced. Fleur is determined to simplify necessary evil.

Unfortunately, music industry contracts and license agreements are typically complex and dense documents filled with legalese, making them difficult to write and manage. Once stored in a file, it becomes difficult to store and retrieve them efficiently.

We've all experienced confusion, but confusion often lasts for the life of the transaction. Headaches are best enjoyed with confusing paper records and contentious disagreements, with piles of legal jargon and contradictory details adding to the excitement.

Sadly, the cliché “only lawyers win” seems to hold true all too often, but one man is trying to change that.

His name is Alexiomar Rodriguez. His disruptive vision is not centered around AI or technology-related topics with new capabilities. Instead, Rodriguez's company, Flou, has a simple mission: to revolutionize the cumbersome, painful, and inefficient process surrounding music contracts.

“As a lawyer myself, I have found that there is no central software package for all music contracts,” Rodriguez said. Flou recently partnered with DMN to further expand the platform's visibility.

In short, Flou is an all-in-one platform designed to streamline and simplify every aspect of music contract management.

Think of the aspirin it takes to land a music deal multiplied by 10,000. That's the general idea here.

Flou's platform manages every microstep of the music contract process, starting with the documentation stage. This is where a variety of industry-specific templates come into play, and subsequent collaboration features guide you through the review, negotiation, and editing stages with AI assistance.

The platform also includes other steps and details, such as electronic signature approval, centralized storage, deliverable tracking, and reminders.

“Flou is more than just a software solution. It is a revolution in music contract management. We are committed to providing music companies, artists, and other stakeholders with the legal tools they need to succeed in today's industry. ” Rodriguez continued.

Of course, there are many different types of contracts and legal agreements in the music industry. Flou aims to address them all, including employment contracts, production contracts, collaboration agreements, copyright assignments, artistic control and expression agreements, split sheets for splitting royalties, and good old artist label agreements. .

Unfortunately, all of these contracts face similar pitfalls. Traditionally, creating and managing music contracts has been known to be time-consuming and expensive. Once these agreements are finalized, they often sit buried in filing cabinets or lost in digital white space, creating significant legal risk and liability for music companies.

In addition, music contracts have a dynamic nature, such as deliverable contingencies, material dates, continuing rights, and complex royalty payment triggers, which further complicate management. Apart from the initial challenges, music contracts also need to consider collection tracking and proper documentation of each release, especially splits and side artist deals.

These “living contracts” require meticulous tracking systems, which have so far been largely lacking. Flou aims to bring unparalleled efficiency and clarity to contract management by enabling music companies to create, review, approve, sign, store, and track all their contracts in a centralized platform. Masu.

Some work involves translating legal terminology to improve tracking, accountability, and understanding.

Through the application of AI, Flou transforms complex contractual obligations into manageable and actionable tasks. This process simplifies legal compliance and management through reminders, updates, and tracking of required deliverables.

“We designed Flou to address the unique challenges faced by the music and entertainment industry,” Rodriguez explained. “Our platform provides a much-needed solution for contract management and ensures nothing is left out.”

Flou is to the music industry what platforms like Contractbook and LinkSquares are to other sectors: a digital revolution in contract management. Flou hopes to significantly reduce litigation risk by increasing contract clarity both before and after a contract is signed.

Additionally, Rodriguez said Fuller recognizes the importance of education in contract management and provides resources and tools to help users navigate complex legal contracts.

Having successfully raised $250,000 in March 2023, Flou is now focused on expanding its capabilities to keep up with the rapidly evolving music industry. This roadmap includes drafting more diverse contracts from automated templates.

Additionally, Flou aims to incorporate music data analytics to facilitate better deals for music companies, including signing artists and buying and selling intellectual property.

By simplifying processes and providing educational support, Flou strives to make compliance easier and help the industry enter into better, more transparent deals. This seems like good news for the music business, but bad news for anyone in the business of earning billable hours.

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New York v. Trump trial resumes with witness testimony

This is an excerpt from an opinion piece by FOX News contributor Liz Peek

Will Donald Trump be able to defeat Joe Biden in November despite being fenced off and locked in court by what he calls an ongoing “witch hunt”? ? It's not easy. The polls have tightened in recent weeks, perhaps because Biden is on the campaign trail gleefully funneling taxpayer money to voters in battleground states and bashing his opponents, but Trump isn't.

Instead, Trump is once again on trial in New York City.

His enemies in the liberal media are delighted. It's not because Trump committed a heinous crime that he will be put on trial. Not because convicting the former president will somehow improve the lives of New Yorkers, or all Americans. No, the leftist media is gleeful because they want to see the Donald humiliated, undermined, and subjugated.

For proof, look no further than Maggie Haberman's recent front page article in the New York Times. The Times reporter is almost blinded.

Haberman, a longtime Trump adversary, described the scene in the “decrepit” courtroom of Democratic donor Judge Juan Machan, who is presiding over the hush-money trial brought by Manhattan prosecutor Alvin Bragg. Later that day, the former president got up and got ready to go home, when Marchand ordered him to “take a seat.” boom! Haberman is enthused, noting that Trump is “used to dictating his own pace” and suddenly “has control taken away from him.”

Haberman said the real estate mogul was “haggard and shriveled” by the end of the day. “The mediocrity of the courtroom has consumed Mr. Trump,” Magee wrote, dispelling the image of a “great man” he had sought for years.

This is honey for Trump opponents. After all, Gallup reports that only 38% of voters see President Biden as a “strong and decisive leader,” while 57% believe President Trump has those qualities. It is said that there is. They hope Mr. Bragg's show trial will resolve that rift.

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President Trump shared the Fox News host's remarks on Truth in Social. Prosecutors call it a “troubling issue.”

Prosecutors said Tuesday that one episode was “deeply disturbing” as they say former President Donald J. Trump committed repeated violations of the gag order. That's what he shared with commentators who disparaged potential jurors as left-wing secret agents.

Trump posted a quote from Fox News commentator Jesse Watters on his social media site, Truth Social, last week as jury selection in the hush-money trial proceeded. “They're secretly capturing liberal activists who lied to judges to get on Trump juries,” Trump said, quoting Watters.

Trump's post exaggerated what the commentator actually said, adding the phrase “to be on the Trump jury” even though Watters did not say it on air. But a few hours later, Watters said, Post accurate statement to X Trump also shared.

None of the jurors or potential jurors have been identified as liberal activists.

During that Fox News segment, Watters also shared personal information about the jurors in his segment. The day after that post, the judge in the case, Juan M. Marchan, ordered the reporter to withhold some information that could identify the jurors.

“What happened here is exactly what this order sought to prevent, and the defendant doesn't care,” prosecutor Christopher Conroy said in court Tuesday.

Trump's lawyer, Todd Blanche, argued that Trump was simply sharing the quote, an argument Trump often uses to distance himself from reposting other people's comments.

Judge Machan did not appear to support that argument. Machan said the way posts are published on Truth Social is “not passive.”

Conroy said the timing of the “liberal activist” post was important. The next morning, her jury appeared in her courtroom and asked for her immunity, saying that her friends and colleagues had been able to identify her as one of her members.

Mr. Watters is the host of the evening show “Jesse Watters Prime Time'' and co-host of the weekday afternoon chat show “The Five.'' He became famous for his street-based ambush interviews on Fox News, including a segment in 2016 in which he mocked Asians in New York City's Chinatown, which featured stereotypes. He was widely seen as a human trafficker with racist leanings.

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Oklahoma neighbor says 'it makes me wonder what happened' after police find five dead in suburban home

This story discusses suicide. If you or someone you know is considering suicide, please contact the Suicide and Crisis Lifeline at 988 or 1-800-273-TALK (8255).

A 10-year-old child woke up after his father “cornered” his brother and mother in a disturbing murder-suicide inside a suburban Oklahoma home, police said.

Jonathan Candy, 42, got into an argument with his wife Lindsay that spiraled out of control. Oklahoma City Police Sgt. Sgt. Gary Knight said.

According to police, responding officers found the 10-year-old boy alive outside, but before Jonathan turned the gun on him, his siblings – 18-year-old Dylan, 14-year-old Ethan All children (12-year-old Lucas) died.

“Make no mistake about it, what happened at that residence was nothing short of genocide,” Knight said at a news conference Tuesday. “The children were hunted down and killed.”

FBI offers 4 important steps to talk to kids about trauma and crisis

Oklahoma City police say Jonathan Candy got into an argument with his wife, Lindsay, and killed her and three of their four sons before turning the gun on himself. (Facebook)

The Candy Family released a statement to the press.

“Our entire family is left devastated and confused with many questions that will never be answered,” the family said. “Jonathan was someone who made everyone smile with his jokes and goofy demeanor.

“Other than these events, his children and wife were everything in his life. We cannot understand what happened at all, but please hold tight to the family. To everyone affected. , it will be a very long healing process.”

At least three female college students are randomly attacked in 30 minutes, part of a surge in campus crime

Untold confusion surrounded the murder case for hours after responding officers found a family member and a 10-year-old boy dead outside the home Monday morning.

Knight described the scene inside her home in Yukon, Oklahoma, as a “massacre.”

Police said there had been no prior domestic incidents at their home in Yukon Territory, Oklahoma, outside Oklahoma City, but “why Candy killed his wife and three children remains a mystery.'' “.”

“Make no mistake about it. What happened in that mansion was nothing short of a massacre…Children were hunted down and killed.”

— Sergeant Gary Knight

A father kills his wife and three sons by suicide in this Yukon, Oklahoma home (Google Street View)

Why he left his youngest son alive is even more puzzling. “That's something we'll never know,” Knight said.

“It's shocking. It's the same in the house,” Edgar Felix, a neighbor of the Candy family, told local ABC affiliate KOCO News 5.

“It makes me wonder what happened in that house,” Felix said.

Watch the full press conference on Tuesday

Two of the victims were current students in the Mustang Public School District, the eldest of whom graduated last year.

“We are shocked and heartbroken. This tragedy is completely incomprehensible,” Superintendent Charles Bradley said.

Teacher's children kidnapped by husband in 'disguise' and found with murdered mother: police

“It is with very heavy hearts that I share this very sad news with you,” Bradley said in a statement Monday. “We have confirmed that a tragedy occurred at a home in our school district and we are now able to confirm the deaths of two students (a 6th grader attending Meadowbrook Intermediate and a 9th grader attending Mustang High School) and one death. ” Recent (2023) MPS graduate.

“This year has been extremely difficult for the MPS family, and both students and adults may be struggling to manage their emotions and reactions to this news.”

Two victims of a murder-suicide in suburban Oklahoma were students in the Mustang Public School District, and the other victim graduated from high school last year. (Mustang Public School District)

Bradley said the district has formed a crisis response team and called on parents to monitor their children's behavior, even if they don't know the victim.

“Feelings of anger, hurt, guilt and sadness are natural,” he says. “Common grief reactions include sleep disturbances, temporary loss of appetite, and anxiety or fear for the health and safety of friends and family.

“Here are some suggestions for dealing with your child's questions and concerns: Listen to your child, answer their questions, and let them know you are always there for them. Express your feelings to your child, Encourage them to talk about their own feelings.' ”

CLICK HERE TO GET THE FOX NEWS APP

The district has listed resources, including this website, to help navigate these difficult conversations.

“As the entire Mustang school community processes this news, we want you to know that counseling assistance is available to Mustang Public Schools students,” he said. “To access these services, students and families simply contact their school counselor or administrator.

“We are here to help and work with you. This is a difficult time for everyone, but we have faith that our students and staff will get through this.”

Chris Eberhart is a crime reporter and American news reporter for Fox News Digital. Email your tips to chris.eberhart@fox.com or Twitter @ChrisEberhart48.

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Information on parking, lineup, tickets, etc.

Electronic music lovers, get ready. Breakaway Music Festival is finally making its debut in Tampa this weekend.

The multi-stage festival will take place at Raymond James Stadium from 5pm to midnight on Friday and Saturday. Here's everything you need to know before you go.

What is Breakaway Music Festival? And why come to Tampa?

Breakaway Music Festival is an immersive live music experience that first opened in Columbus, Ohio in 2016. The goal was to bring world-class DJs and electronic dance music to underserved markets.

“It's not Chicago, New York, Los Angeles or Miami, it's somewhere in between,” co-founder Zach Ruben said.

There are currently 11 Breakaway Music Festivals across the country, with nine additional stops on the Breakaway College Tour. In 2023 he was attended by over 100,000 fans.

Ruben explained that Breakaway Music Festival has been eyeing Tampa for a while because the city has a young population, growing workforce, large universities, and corporate headquarters. Breakaway Music Festival fills the void left in the market when Sunset Music Festival announced it would not be held in 2024.

“Obviously it was a positive thing that it didn't happen again, but it was independent of our plans,” Ruben said.

Breakaway Music Festival Lineup

The festival has two stages and a silent disco. The lineup includes a variety of genres such as EDM, pop, house, bass, and four-on-the-floor.

Friday's headliners were Illenium and Cascade, joined by ACRAZE, Gudofela, Ian Asher, Matroda, Night Tales, Ravenscoon, ROSSY and Said the Sky.

Saturday's headliners will be Zedd and SOFI TUKKER, with performances from ALLEYCVT, Crankdat, Deerock, Dion Timmer, Calcium, it's murph, Moore Kismet, Sara Benyo, TroyBoi and ZUEZEU.

Heading to the breakaway stage from the Ritz Eber are three local DJs: Pushman, Maia, and Taylor Race. He will also have over 20 local artists performing silently at his disco.

Buy tickets to Breakaway Music Festival and Official After Party

Tickets range from $65 for a one-day pass to $1,049 for a two-day Ultra VIP ticket, which includes access to the observation deck next to the main stage, drink and merchandise vouchers, and access to the guest lounge . Some ticket packages include hotel stays, shuttle services, and on-site discounts. For more information and to purchase tickets, visit breakawayfestival.com/tampa.

The Ritz Ybor will host an official breakaway afterparty on Friday and Saturday from 11pm. Matloda, Taylor Lace and Pushman will perform on Friday, while Crank Dutt, Mya and Wilco Beatz will perform on Saturday. Purchase tickets ($25) and reserve a VIP table ($150) at www.theritzybor.com.

Both Breakaway Music Festival and the official after party are 18+.

This weekend's weather

Breakaway Music Festival is held outdoors, so pack sunscreen and be sure to visit the on-site water station. Highs are expected to be in the low 80s and lows in the low 60s. Rain is unlikely in Tampa on Friday or Saturday.

The festival will be held rain or shine. No refunds will be given if the festival is canceled due to inclement weather. Updates will be announced at the festival and on social media.

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How to get to Raymond James Stadium

Expect heavy traffic along Dale Mabry Highway, Himes Avenue, Columbus Drive and Martin Luther King Jr. Boulevard before the show. The Tampa Sports Authority is partnering with parkwhiz.com and reservations range from $15 to $53. Please note that third party websites such as Seatgeek.com are not affiliated with the stadium.

Same-day parking is available in the Hillsboro Community College parking lot. Neighboring residents often rent out their parking lots and driveways to concert-goers. Arrive early to ensure plenty of space and bring cash.

If you prefer to take public transportation, HART bus routes 7, 15, 32, 36, and 45 run to the stadium. Martin Luther King Jr. Boulevard and Himes Avenue bus stops are approximately 15 minutes' walk away. Check gohart.org for route information.

Rideshare pick-up and drop-off locations are located at 4105 Nhimes Ave., Lot B. As with any stadium show, expect potential delays and surge charges for Uber and Lyft.

Visit raymondjamesstadium.com/gethere.

In this handout photo, Knock2 performs at the Breakaway Music Festival in Ohio. The multi-day music festival will be held for the first time in Tampa on Friday, April 26, 2024 and Saturday, April 27, 2024. [ TYLER CHURCH | Courtesy of Breakaway Music Festival ]

What to bring and what to leave at home

Items allowed:

Clear bag, no more than 14″ x 6″ x 14″ Purse, up to two zippers One small clutch bag, no more than 4.5″ x 6.5″ (doesn't have to be clear) Banner or without poles Flag binoculars blanket and towel, unrolled or unfolded Cane, walker, wheelchair Empty spray bottle Poncho (if worn, carried over the arm, or in its original sealed clear packaging) A small handheld radio or TV with earphones Sunscreen lotion (not aerosols or spray cans) A credit card. Raymond James Stadium is cashless. Medical bags or diaper bags are only available if you complete a special needs request form at least 72 hours before the event. Forms can be found at raymondjamestadium.com/rjsada. Flags (without poles) Glowing/illuminated costumes or jewelry Hula hoops (including LED hoops)

Things to keep at home:

All bags larger than a clutch handbag and smaller than 4.5″ x 6.5″ are subject to a no-bag policy at all events at Raymond James Stadium. Other bags must be left in the vehicle or stored in storage lockers available for rent on Tom McEwen Boulevard (south of Gate C). Cameras with removable lenses or cameras with lenses larger than 12 inches (point-and-shoot cameras) Camera bag or binoculars case Tent Separate glow sticks Large electronic devices such as digital readers, iPads, laptops Aerosol or sunscreen spray BottlesFood and beveragesCans, bottles, glasses, and coolersHoverboardsHorns, lasers, and artificial noise generatorsIllegal drugs and weaponsRecreational balls and seat cushionsPets (service animals allowed)Selfie sticks, gimbals, and extendersStrollers Umbrella unmanned aircraft system and radio-controlled model airplane drone. (Also prohibited on stadium grounds, including parking lots.) Video cameras and GoPros

For more information, please visit www.breakawayfestival.com. Follow the festival at facebook.com/breakawayfestival, instagram.com/breakaway and tiktok.com/@breakawayfest. twitter.com/BreakawayFest.

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The Best Classical Music Albums of 2024 (So Far)

All of these outstanding classical albums were Editor’s Choices in Gramophone magazine and are highly recommended. If you are searching for an inspirational new recording, look no further

In every issue of Gramophone, Editor Martin Cullingford chooses 10 new releases as his Editor’s Choice selection. Below, you will find all of the albums selected as Editor’s Choice in 2024 – so far.

We’ve included links to the album reviews in Gramophone’s Reviews Database, a digital archive of all of our reviews from 1983 to today. To find out more about subscribing to Gramophone and the Reviews Database, please visit: magsubscriptions.com

Chopin Études

Yunchan Lim pf (Decca)

This album of Chopin Études from our cover artist, pianist Yunchan Lim, is a compelling triumph – a truly momentous studio debut from an extraordinary talent.

Read the Gramophone review

Andres The Blind Banister

Timo Andres pf Metropolis Ensemble / Andrew Cyr (Nonesuch)

Nonesuch here offers us a beautifully recorded introduction to Timo Andres’s pianistic voice – both as the composer and performer.

Read the Gramophone review

Bartók The Wooden Prince

BBC Scottish Symphony Orchestra / Thomas Dausgaard (Onyx)

Conductor Thomas Dausgaard delves into the dark heart of Bartók’s ballet The Wooden Prince – just one part of a rewarding album devoted to the composer’s music.

Read the Gramophone review

Mendelssohn Symphonies

Zurich Tonhalle Orchestra / Paavo Järvi (Alpha)

A superb Mendelssohn symphony cycle from conductor Paavo Järvi to set against the finest of recent times – rich in tonal weight but wonderfully light in spirit too.

Read the Gramophone review

Chausson Concert Lekeu Violin Sonata

Gabriel Le Magadure vn Frank Braley pf Quatuor Agate (Appassionato)

Another success from the Appassionato label – violinist Gabriel Le Magadure, pianist Frank Braley and their quartet colleagues embody the music’s drama.

Read the Gramophone review

‘Treasures’

Trio Lirico (Audite)

Performances of works by Dohnányi, Ysaÿe and Kodály plus the first recording of Peter Eötvös’s 2020 Trio, a fine tribute to the composer who died in March, are a powerful demonstration of this superb trio’s talent.

Read the Gramophone review

Rachmaninov Works for Two Pianos

Sergei Babayan, Daniil Trifonov pfs (DG)

Truly stylish virtuosity from Sergei Babayan and Daniil Trifonov – vivid, theatrical and highly musical, from a piano partnership well worth hearing.

Read the Gramophone review

Wagner ‘Famous Opera Scenes’

Nikolai Lugansky pf (Harmonia Mundi)

Such is pianist Nikolai Lugansky’s story-telling poetry throughout this album devoted to Wagner transcriptions that we seem to step straight into the sound world of the operas themselves.

Read the Gramophone review

Ysaÿe Solo Violin Sonatas

Sergey Khachatryan vn (Naïve)

A stunning set of Ysaÿe’s solo sonatas from violinist Sergey Khachatryan, whose virtuosity and distinctive voice shine throughout this most fiendish of repertoire.

Read the Gramophone review

Elgar The Dream of Gerontius

Sols; Gabrieli Consort & Players / Paul McCreesh (Signum)

A deeply moving journey through Elgar’s religious epic, from a conductor whose admiration of this music is evident in every bar, and a superb soloist in Nicky Spence.

Read the Gramophone review

Mahler Symphony No 6

Bavarian Radio Symphony Orchestra / Sir Simon Rattle (BR-Klassik)

Decades spent with this music bear fruit in a powerfully expressive performance; the second Recording of the Month in a row from a truly wonderful conductor.

Read the Gramophone review

Bruckner Symphony No 8

Yomiuri Nippon Symphony Orchestra / Stanisław Skrowaczewski (Dabringhaus und Grimm)

Following our recent Icons, Skrowaczewski has been the subject of several letters of tribute, which makes this Bruckner 8 from the close of his life all the more timely.

Read the Gramophone review

Stravinsky Petrushka Debussy Jeux. Prélude à L’après-midi d’un faune

Orchestre de Paris / Klaus Mäkelä (Decca)

Klaus Mäkelä once again justifies the plaudits so early in his career with a revelatory Petrushka, rich in thrilling characterisation, caught in luxurious sound.

Read the Gramophone review

Smetana Má vlast

Czech Philharmonic Orchestra / Semyon Bychkov (Pentatone)

A performance of this Czech masterpiece rooted in a relationship between Semyon Bychkov at his finest and players steeped in the musical and cultural world in which the work was written.

Read the Gramophone review

Rachmaninov Orchestral Works

Kirill Gerstein pf Berlin Philharmonic Orchestra / Kirill Petrenko (Berliner Philharmoniker)

Kirill Petrenko’s selection of Rachmaninov works is striking both for the vividness of its detail and for its compelling rhythmic drive.

Read the Gramophone review

Beethoven Piano Trio No 7, ‘Archduke’. Symphony No 4

Leonidas Kavakos vn Yo‑Yo Ma vc Emanuel Ax pf (Sony Classical)

Three star soloists clearly enjoying a project as fascinating as it is rewarding: this time it’s Beethoven’s Fourth transcribed.

Read the Gramophone review

Beydts Mélodies & Songs

Cyrille Dubois ten Tristan Raës pf (Aparté)

What a wonderful discovery: the major song cycles from a 20th-century composer whose music has lyrical beauty, but is rarely recorded. If anything can change that, this can.

Read the Gramophone review

Pergolesi Stabat mater Vivaldi Nisi Dominus

PRJCT Amsterdam / Maarten Engeltjes counterten (Pentatone)

‘A vital and heartfelt recording … from one of the newest and slickest ensembles,’ says Edward Breen of this moving release.

Read the Gramophone review

‘Paysage’

Véronique Gens sop Munich Radio Orchestra / Hervé Niquet (Alpha)

A rich feast of late-Romantic French orchestral song from our Artist of the Year, Véronique Gens; her skills of story-telling and of shaping atmosphere are compelling from the start.

Read the Gramophone review

Wagner Parsifal

Vienna State Opera / Philippe Jordan (Sony Classical)

Last month’s cover artist Jonas Kaufmann’s insight into Parsifal is born of immense reflection; his fellow soloists and conductor Philippe Jordan are equally superb in their contributions too.

Read the Gramophone review

Janáček Katya Kabanova

Sols; London Symphony Orchestra / Sir Simon Rattle

LSO Live

Sir Simon Rattle’s extraordinary feel for Janáček’s music, the LSO’s beautiful playing and wonderful soloists make for a superb second release in this series of his operas.

Read the Gramophone review

Britten Violin Concerto. Double Concerto

Baiba Skride vn ORF Vienna Radio Symphony Orchestra / Marin Alsop

Orfeo

A fascinating pairing of two Britten works, magnificently performed by Baiba Skride.

Read the Gramophone review

Auerbach. Dvořák. Weinberg Piano Trios

Trio Zimbalist

Curtis Studio/Platoon

A new release from the in-house label of the famed Curtis Institute, and a debut from an accomplished new piano trio, brings a hugely impressive exploration of three works in the form.

Read the Gramophone review

‘Haydn All‑Stars’

Trio Ernest

Aparté

Another debut from another trio, this time matching four brilliantly played Haydn works with century-spanning pieces inspired by the composer and his music from Brahms and Belgian composer Jacqueline Fontyn.

Read the Gramophone review

LeFanu ‘The Path Above the Dunes’

Gemini

Métier

A fascinating, hugely engaging recording of works by Nicola LeFanu spanning almost half a century, from a contemporary ensemble celebrating 50 years of advocacy of modern music.

Read the Gramophone review

Hamelin Piano Works

Marc-André Hamelin pf

Hyperion

Marc-André Hamelin continues to astonish, album by album, in music by others – here is a further and hugely revealing insight into the pianist’s own compositional voice, brought to life with his ever-present virtuoso brilliance.

Read the Gramophone review

Handel Theodora

Sols; Arcangelo / Jonathan Cohen

Alpha

Jonathan Cohen and his superb Arcangelo ensemble, plus a perfectly picked selection of soloists, offer a performance rich in detail and humanity of this late Handel oratorio, a work now recognised as a masterpiece.

Read the Gramophone review

Lassus ‘The Alchemist, Vol 1’

Magnificat / Philip Cave

Linn

The launch of a scholarly survey of Lassus’s Magnificat settings conducted by Philip Cave, here pairing the composer’s music with the Italian madrigals these works drew on, gloriously sung throughout.

Read the Gramophone review

Vaughan Williams ‘Retrospect’

London Choral Sinfonia / Michael Waldron

Orchid

A fascinating journey through lesser-known music by Vaughan Williams, rich in discovery, whether vocal or orchestral, all assembled with care and performed with conviction and eloquence.

Read the Gramophone review

‘A Gardener’s World’

Alessandro Fisher ten Anna Tilbrook pf

Rubicon

A previous One to Watch, the tenor Alessandro Fisher offers a beautiful recital of floral-themed songs spanning styles and centuries, the pianist Anna Tilbrook a perfect partner.

Read the Gramophone review

🎧 Podcast: Alessandro Fisher on ‘A Gardener’s World’

‘Shadows of my Ancestors’

Behzod Abduraimov pf

Alpha

The drama in Romeo and Juliet is brilliantly articulated, Gaspard is both vivid and beautiful, Saidaminova’s work a fascinating find: all together a superb album from a brilliant pianist.

Read the Gramophone review

Beethoven. Schulhoff Piano Concertos

Herbert Schuch pf WDR Symphony Orchestra / Tung‑Chieh Chuang

AVI-Music

Engaging Beethoven from Herbert Schuch, coupled with Schulhoff’s lesser-heard Concerto, both wonderfully performed.

Read the Gramophone review

Avi Avital ‘Concertos’

Avi Avital mandolin Il Giardino Armonico / Giovanni Antonini

DG

A joyful journey through concertos by Vivaldi, Hummel, Bach and others courtesy of Avi Avital and his captivating virtuosity as a soloist on the mandolin.

Read the Gramophone review

‘Handel for Trumpet’

Jonathan and Tom Freeman-Attwood tpts Anna Szałucka pf

Linn

Jonathan Freeman-Attwood concludes his series of trumpet transcriptions with a rewarding album of Handel reimaginings, including four concertos recast as sonatas.

Read the Gramophone review

🎧 Jonathan Freeman-Attwood on the Gramophone Podcast

Mendelssohn Cello Sonatas

Sol Gabetta vc Bertrand Chamayou pf

Sony Classical

Mendelssohn music for cello and piano presented with style and charm by Sol Gabetta and Bertrand Chamayou, accompanied by 20th-century pieces that follow in his footsteps.

Read the Gramophone review

‘A Lionel Tertis Celebration’

Timothy Ridout va James Baillieu, Frank Dupree pf

Harmonia Mundi

A lovingly curated tribute to one of the past’s finest viola players, Lionel Tertis, from one of today’s, Timothy Ridout: a generously filled album of glorious music.

Read the Gramophone review

🎧 Timothy Ridout on the Gramophone Podcast

‘Le temps retrouvé’

Elena Urioste vn Tom Poster pf

Chandos

Elena Urioste and Tom Poster – founders of the riveting Kaleidoscope Collective – continue their mission of introducing the unfamiliar in unfailingly superb performances.

Read the Gramophone review

Bartók. Janáček. Szymanowski Piano Works

Piotr Anderszewski pf

Warner Classics

Piotr Anderszewski brings a level of detail and overall vision to these works, collectively spanning a huge variety of musical colours, that is astonishing and highly compelling.

Read the Gramophone review

Schubert Winterreise

Cyrille Dubois ten Anne Le Bozec pf

NoMadMusic

Cyrille Dubois – winner of a Gramophone Award for his remarkable complete survey of Fauré songs – brings the same intimacy, humanity and beauty to Schubert’s tragic cycle.

Read the Gramophone review

Bertin Fausto

Sols; Les Talens Lyriques / Christophe Rousset

Bru Zane

Louise Bertin’s 19th‑century take on the famed story of Faust remained largely forgotten until recent revivals: the ever-impressive Christophe Rousset brings his acclaimed conviction to a terrific discovery.

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Saint-Saëns Cello Concerto No 1 and sonatas by Franck and Poulenc

Bruno Philippe vc Tanguy de Williencourt pf Frankfurt Radio Symphony Orchestra / Christoph Eschenbach

Harmonia Mundi

Bruno Philippe, one of his generation’s most compelling cellists, returns with familiar musical partners to offer us an album of real intelligence, lyricism and elegance.

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CPE Bach Six Hamburg Symphonies

Orchestra of the Eighteenth Century / Alexander Janiczek vn

Glossa

A reminder of how imaginative CPE Bach’s music can be – a spirit that conductor Alexander Janiczek and his musicians pick up and run with!

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Beethoven Violin Concerto. ‘Kreutzer’ Sonata

Double Sens / Nemanja Radulović vn

Warner Classics

Nemanja Radulovic´ brings real character to his reading of the Beethoven Violin Concerto and has nothing to fear from a catalogue packed with famed accounts.

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Bruckner Symphony No 5

ORF Vienna Radio Symphony Orchestra / Markus Poschner

Capriccio

As one of our interviewees in this month’s special Bruckner feature, it’s wonderful to be able to welcome Markus Poschner’s superb new recording of Symphony No 5.

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Jarrell Orchestral Works

Orchestre National des Pays de la Loire / Pascal Rophé 

BIS

Michael Jarrell’s fascinating sound world is well caught in this wonderfully performed recording, soloists, conductor Pascal Rophé and BIS alike offering excellent advocacy.

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Beethoven Violin Sonatas Nos 3, 7 & 8

Antje Weithaas vn Dénes Várjon pf

AVI-Music

Antje Weithaas and Dénes Várjon are back with a second volume of Beethoven sonatas, and it’s one that finds them exploring his music with genuine insight, bringing rich rewards.

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‘A Celebration’

Thomas Trotter org

Regent

There’s so much to celebrate here – a well-chosen programme of delights, Birmingham Town Hall’s superb instrument, and most of all a soloist in Thomas Trotter of virtuosic brilliance.

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Pepusch Chandos Anthems

The Harmonious Society of Tickle-Fiddle Gentlemen / Robert Rawson

Accent

A contemporary of Handel, who also had links to Cannons, the Duke of Chandos’s estate, is presented with passion and joy.

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Weelkes ‘Gentleman Extraordinary’

Resurgam / Mark Duley

Resonus

The 400th anniversary of Thomas Weelkes’s death last year may not have got the same attention as that of Byrd’s, but this album offers a suitably fine tribute to his varied and imaginative music.

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‘Operette’

Diana Damrau sop Munich Radio Orchestra / Ernst Theis

Erato

‘I wonder if I’ve already found my record of the year?’ writes Richard Bratby. Bold words indeed for a January review, and what better encouragement to listen to it?

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Crowded House and Split Enz's Neil Finn sells catalog to Primary Wave

Getty Images for Global Citizen

Primary Wave Music has announced a new partnership with veteran singer-songwriter Neil Finn, founding member of Crowded House, long-time member of Split Enz, and solo artist. The multi-million dollar deal gives the company a writer's share of Finn's music publishing catalog and public performances of his Crowded House work and solo work.

The deal includes the release of many of the hit songs Finn wrote for Crowded House, including “Don't Dream It's Over,” “Better Be Home Soon,” and “Weather With You.” It also includes his solo songs and songs he wrote. He was a member of Split Enz, whose songs include the 1980 hit “I Got You.”

Released in 1986, “Don't Dream It's Over” was included on Crowded House's debut album of the same name and became the band's biggest hit, reaching No. 2 on the Billboard Hot 100 and reaching several international records. It topped the charts in the country. It also includes 'Weather With You', which Neil wrote with his brother Tim (founder of Split Ents). From the band's third studio album. In 2001, the song “Better Be Home Soon'' was chosen by members of the New Zealand Performing Rights Association APRA as one of the best New Zealand songs of the 20th century. Regarding the song, Finn said, “This song is easy to sing from beginning to end in a Crowded House set, in a group, in a community, or in any other setting. That's always been very important to us. ”

“I look forward to seeing Primary Wave’s plans for continued management of my songs. I am confident that they see my entire body of work as important music. This agreement will last for a long time. It's been a long process and we feel it's the right thing to do,” Finn said.

David Weitzman of Primary Wave added: “We are thrilled to welcome Neil Finn to Primary Wave. Not only is he a master songwriter, but he is also a songwriter’s favorite songwriter. We are thrilled to welcome Neil Finn to Primary Wave. I look forward to working closely with the team on the next phase of his storied career.”

Finn has been active as a solo artist in recent years, joining Fleetwood Mac (along with longtime Tom Petty & the Heartbreakers guitarist Mike Campbell) in 2019 for the group's final tour.

Crowded House, which also includes Finn's sons Elroy and Liam, will release their eighth album, Gravity Stairs, next month.

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AI may be able to predict whether cancer treatments are effective, experts say

An alternative to chemotherapy called immunotherapy has shown promise in treating cancer, and new artificial intelligence tools could help ensure patients have the best possible experience. there is.

First approved in 2011, immunotherapy harnesses a cancer patient's own immune system to target and fight cancer.

It doesn't work for everyone, but for the 15% to 20% of people who do, it can be lifesaving.

What is artificial intelligence (AI)?

Like other drugs, immunotherapy can have harmful side effects, which can be severe in some people.

Studies show that about 10-15% of patients develop “significant toxicity.”

An alternative to chemotherapy called immunotherapy has shown promise in treating cancer, and new artificial intelligence tools could help ensure patients have the best possible experience. there is. (St. Petersburg)

Chicago-based GE Healthcare is collaborating with Vanderbilt University Medical Center (VUMC) in Nashville, Tennessee, to create an AI model designed to remove some of the uncertainty surrounding immunotherapy. did.

Over five years of development, this AI model was trained on the electronic health records (EHRs) of thousands of patients to recognize patterns of patient response to immunotherapy, with a focus on safety and efficacy. did.

Study finds AI models may help predict lung cancer risk in non-smokers: 'significant progress'

“This model predicts which patients are likely to benefit from immunotherapy and which are not,” Jan Walber, global digital product leader for pharmaceutical diagnostics at GE Healthcare, said in an interview with Fox News Digital. It's a thing,” he said.

“We also predict which patients are likely to develop one or more significant toxicities.”

When retrieving data from a patient's health record, the model looks at demographic information, image scans, past diagnoses, lifestyle habits (such as smoking), medication history, and more.

First approved in 2011, immunotherapy harnesses a cancer patient's immune system to target and fight cancer. (St. Petersburg)

“All of this data is either already collected by the patient's oncologist or written up in advance on a form in the waiting room,” said Travis Osterman, a medical oncologist and deputy chief medical information officer at Vanderbilt University Medical Center. It's written down,” he said. he said in an interview with Fox News Digital.

(Osterman is working with Wolver to develop AI models.)

Breast cancer breakthrough: AI predicts one-third of cases before diagnosis in mammography study

“We're not asking for additional blood samples or complex imaging. These are all data points we're already collecting, such as vital signs, diagnoses, and laboratory values.”

According to an article published in the Journal of Clinical Oncology Clinical Cancer Informatics, one study showed that AI models predicted patient response to immunotherapy with 70% to 80% accuracy.

“The model is not perfect, but this is actually a very good result,” Wolver said. “In the clinic, these models can be implemented with little additional effort as no additional measurements are required.”

“Natural progression”

This type of technology is “a natural progression of what we've been doing in medicine for a long time,” Osterman said.

“The only difference is that instead of studying the patient, we're collecting the entire medical record and looking for risk factors that contribute to the outcome,” he said in an interview with Fox News Digital.

This AI model was trained on the electronic medical records of thousands of patients to recognize patterns of patient response to immunotherapy, with a focus on safety and efficacy. (St. Petersburg)

Immunotherapy generally has lower response rates than chemotherapy, Osterman noted, but some patients can have an “incredible response” and ultimately be cancer-free.

“I would be horrified to know that one of my patients for whom I did not give immunotherapy may have had a very good response,” he told Fox News Digital. .

Conversely, Osterman noted that in rare cases, immunotherapy can have serious side effects.

“I would be horrified to know that one of my patients, to whom I did not give immunotherapy, could have been one of the people who had a very good response.”

“I think about half of patients don't have any side effects, but for those who do, some of them are truly life-changing,” he said.

“We don't miss anyone, but we don't want to hurt anyone.”

According to Osterman, the core of the AI ​​project is the ability to “put all the information into the lab” so that oncologists can advise patients about the risks and benefits of this particular treatment and keep them fully informed. About their care so they can make the best decisions based on.

Combining technology and human expertise

Dr. Mark Siegel, clinical professor of medicine at New York University Langone Medical Center and medical contributor for Fox News, was not involved in the development of the AI ​​model but commented on its potential.

“AI models are emerging to help manage the cancer treatment response,” he told Fox News Digital.

Dr. Mark Siegel, clinical professor of medicine at New York University Langone Medical Center and medical contributor for Fox News, was not involved in the development of the AI ​​model but considered its potential. “AI models are emerging to help manage responses to cancer treatments,” he said. (Dr. Mark Siegel)

“These allow for more treatment options and allow us to more accurately predict outcomes.”

Such AI models are an example of “the essential future of personalized medicine,” which “approaches each patient differently and uses genetic and protein analysis to accurately analyze and treat cancer. ''Siegel said.

As long as doctors and scientists continue to be in charge “rather than computers and robots,” there is “no downside,” Siegel said.

Potential limitations

Experts acknowledge that AI models have some limitations.

“It's clear that the model is not going to return 100% accuracy,” Wolver told Fox News Digital. “So there are what are called false positives and false negatives.”

New AI 'cancer chatbot' provides 24/7 support to patients and families: 'empathetic approach'

He pointed out that the tool is not a “black box” that provides definitive answers. Rather, it is a tool that provides data points to clinicians and informs them when making patient management decisions.

Osterman noted that the AI ​​model uses a “relatively small dataset.”

“We hope to be able to refine our predictions even further by learning larger datasets,” he says.

One of the researchers said the tool is not a “black box” that provides definitive answers. Rather, it is a tool that provides data points to clinicians and informs them when making patient management decisions. (St. Petersburg)

The team is currently looking for partnerships that can test the AI ​​model in new settings and achieve even higher accuracy of predictions.

Another challenge, Osterman said, is the need to integrate these AI recommendations into workflows.

“This is fairly new for us in the medical community, and I think we're all going to be wrestling with this issue,” he said.

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Looking to the future, once the AI ​​model receives the necessary regulatory approvals, GE Healthcare plans to make the technology widely available to clinicians, and perhaps other medical fields such as neurology and cardiology. We also plan to expand this.

There is also the possibility of incorporating it into drug development.

“We don't miss anyone, but we don't want to hurt anyone.”

“One of the struggles that pharmaceutical companies have is that some of the drugs that are really helpful for some patients may be very toxic for others,” Osterman said. Told.

“Being able to select which patients can participate in trials and exclude those at highest risk of toxicity could mean the difference between whether or not the drug becomes available.”

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He added: “If this allows us to tailor the exact risk to the patient, I'm all for it.”

Ultimately, Osterman said, “This is a really exciting time for the medical community…We're going to look back and see this as the golden age of AI recommendations, and I think AI recommendations are probably here to stay. ” he said.

For more health stories, visit www.foxnews/health.

Melissa Rudy is a health editor and a member of the Lifestyle team at Fox News Digital. Story tips can be sent to melissa.rudy@fox.com.

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Jane Smiley's folk music novel is a big hit

Lucky, by Jane Smiley

Fictional folk singers have generally been the butt of jokes, whether they're idiots or downright idiots. Remember “National Lampoon's Animal House''? Remember the scene in which Bluto, played by John Belushi, brutally smashes the guitar of a young man whose only crime is to sing, “I gave you a cherry for love.'' …”, the sincere sap of “A Mighty Wind”, or the prickly, charmless Llewyn Davis of the Coen brothers. But with Joni Mitchell's brilliant late-career resurgence and Joan Baez's recent eye-opening documentary, I Am a Noise, Jodie Rutler, the star of Jane Smiley's new film Lucky, Now might be the right time for that.

Born in 1949, Rattler grew up in St. Louis with his mother (“The problem was, my father was married to someone else”) and a large family whose dinner was followed by a 30-minute singalong. Her “luck” began with an amulet wrapped around her $86 two-dollar bill, which she won at the racetrack with Uncle Drew when she was six years old. A combination of her talent and chance led her to work as a singer-songwriter while attending Penn State University.

The lives of those who had a real-life influence on Jodie, Joni, Joan, Judy, Janice, and their contemporaries, were riddled with incidents, from drug abuse and unwanted children to secret marriages and suicide. . Rattler's problem goes beyond introversion to another dimension: money (too much). Her debut Elektra single — and one that Spotify-era songwriters may now want to look away from — netted her a total of about $215,000 in three royalties, more than her uncle. By 1974, the investment was worth $500,000.

Jody, who “didn't need success,” becomes a trust fund kid with no direction of her own. His 1974 solo album, brilliantly named “Fair Isle”, does not seem to have sold well. By her 30s, she wants to use her “performance to go and explore places I've never been before.” ”So, is it more of a tourist opportunity than a profession for her? Song titles and their accompanying lyrics are often observed (although it's odd that none of the songs seem to have a chorus), and as is often the case in fiction, band names (Scats, Ceiling Fan Flyers, Garter belt) is not.

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Facebook has 'interfered' in US elections 39 times since 2008: Study

According to an investigation by the Media Research Center, Facebook has “interfered” in U.S. elections at least 39 times since 2008.

Last month, researchers at MRC Free Speech America found that Google had “interfered” in U.S. elections 41 times over the past 16 years. The team then turned to his Facebook page and concluded that while Meta CEO Mark Zuckerberg seems to believe in free speech, his company's actions prove otherwise.

“Like Google, Facebook has an extensive history of interfering in U.S. elections. But it's not entirely fair to compare the two companies. Part of Mark Zuckerberg believes in free speech. Google management clearly doesn't. But no matter what Mr. Zuckerberg says, Facebook doesn't.” “It's led to a massive amount of censorship that always seems to target the same side of the political spectrum, and we believe it needs to stop,” said Brent Bozell, founder and president of the Media Research Center. told FOX News Digital.

Media Research Center announces that Google has “interfered'' in elections 41 times in the past 16 years

The Media Research Center said that while Meta CEO Mark Zuckerberg appears to believe in free speech, the company's actions prove otherwise. (Alex Wong/Getty Images)

Dan Schneider, vice president of MRC Free Speech America, which conducted the survey, and editor Gabriela Parizeau wrote a 10,000-word breakdown of the survey results.

“Zuckerberg and his company have a complicated relationship with free speech. Meta's CEO has repeatedly spoken decisively in support of free speech, denouncing fact-checking, Big Tech election interference, and political censorship.” and yet his platform participates in all three,” Schneider and Parizeau wrote.

“Meta (currently Facebook's parent company) has always been caught between the left's insistence on protecting the internet from so-called misinformation at all costs, and the right's appeasement of freedom. “It seems like there is a way of speech as the basis of representative democracy,'' they continued, before going into examples.

MRC Free Speech America said Facebook has “censored” 2024 presidential candidates and 2022 Senate and Congressional candidates, including Robert F. Kennedy Jr. According to the MRC, Facebook “deleted the account of Virginia gubernatorial candidate Amanda Chase” in 2021, “intensified its censorship regime with a particular focus on Donald Trump” in 2020, and “intensified its censorship regime with a particular focus on Donald Trump.” “We stopped political advertising a week ago.”

Audience cheers as Mr. Graham tells Mr. Zuckerberg, “You have blood on your hands.''

Conservatives have long argued that Facebook and other social media platforms support liberal ideology. (Cyberguy.com)

Schneider and Parizeau wrote that Facebook's “notorious censorship” of then-President Trump included multiple campaign ads and numerous anti-Biden-Harris ads ahead of Election Day.

According to the MRC, Facebook also “censored various pro-life candidates” in 2016, including Marsha Blackburn (R-Tenn.), and “censored numerous pro-Trump pages and pro-Bernie Trump pages” in 2016. Sanders Group” was suspended.

“It also blacklisted popular conservatives like Ted Cruz while artificially elevating liberal news in the Trending News section,” Schneider and Parizeau wrote.

According to the MRC, Facebook suspended Veterans PAC in 2012 over a meme that drew attention to the Benghazi attack, concluding that it benefited then-President Obama.

“On at least three occasions, Facebook and Zuckerberg expressed support for free speech online, but after these comments, Big Tech's platforms went in the opposite direction,” Schneider and Parizeau wrote. , pointed out that the powerful Zuckerberg claimed in 2019: “Freedom of expression'' should take precedence over “political results.''

“But after a series of so-called 'civil rights' audits conducted by the left, COO Sheryl Sandberg praised the left's recommendations and promised to 'further implement their recommendations,' and to actually do it.” We did so,” Schneider and Parizeau wrote.

Senate considers TikTok ban amid backdrop of Trump vs. Zuckerberg battle

According to an investigation by the Media Research Center, Facebook has “interfered” in U.S. elections at least 39 times since 2008. (Kurt “Cyber ​​Guy” Knutson)

MRC Free Speech America made recommendations to combat election interference. Conservative watchdog groups say House Speaker Johnson should “instruct relevant committees and committee chairs to investigate Facebook's interference in elections,” and “state legislatures should ensure that Big Tech companies cannot engage in viewpoint discrimination.” “The state attorney general and secretary of state should take action.” Take appropriate steps to enforce state election laws in connection with Facebook's election interference. ”

The group also urged Facebook to establish a “bipartisan Blue Ribbon Commission” to address the issues of election interference and censorship outlined in the report “in the spirit of openness and transparency.” “I will.”

Mehta did not immediately respond to a request for comment.

“Facebook was just as bad as Google in the 2020 presidential election. There are some signs that Facebook may back away from its large-scale censorship efforts, as Google's election interference is currently on the rise. , it would be a welcome change if Facebook really follows through on the CEO's vision of moving the company out of the election business,” Schneider told Fox News Digital.

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Brian Flood is a media editor/reporter for FOX News Digital. Story tips can be sent to brian.flood@fox.com and to him on Twitter: @briansflood.

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