African music to the world


This week, The Times ran a profile of Thames, a 28-year-old Nigerian singer-songwriter who recently became the first African artist to debut at No. 1 on the Billboard Hot 100, appeared on Beyoncé's album “Renaissance” and was nominated for an Academy Award for co-writing the song “Lift Me Up” from “Black Panther: Wakanda Forever.” She is set to release her debut album next month.

For me, there's an honesty to Thames' music, which fuses R&B and Afrobeat. Her tone is earthy and her lyrics are honest, paired with music that isn't particularly flashy. But her hooks are the best; they seem made to be hummed around the house or shouted through the speakers. These elements combine to vividly capture emotions like heartbreak (“Damages”), rebellion (“Crazy Tings”) and piety (“Me & U”).

So it's no surprise to learn about her vibe-driven songwriting process on this record: “I just have feelings, I just have signals,” she told Times reporter Reggie Ugwu. “I'm just a vessel, and it just comes out of my mouth.”

Thames is one of several artists from African countries who have joined the Western mainstream. Burna Boy sold out New York's Citi Field last year, and in February the first Grammy Award for Best African Music Performance went to South African singer Tyra for “Water.” Western artists, including Beyoncé, Drake, Usher, Justin Bieber and Selena Gomez, are also featuring African artists on their songs or remixes of already popular songs.

Last year, for “Old World, Young Africa,” a Times project about Africa's youth population boom, I spoke with Nigerian artist Mr. Eazi. He said one benefit of African music's growing popularity is that it gives Africans some control over the narrative about their continent. “People are discovering Africa first through the lens of music, not through the lens of CNN or the New York Times,” he said.

There are many reasons for this global interest – talented artists, the border-melting power of the internet, collaborations with Western stars – but as a Brit, I can personally speak to the role of the diaspora.

My involvement with African music began with my father, who often played highlife, a genre sung in Igbo, a Nigerian language, with shimmering, sharp guitar riffs that have aged well (see an example here). As my peers grew older, they developed an appreciation for African music independently of their parents. Artists like D'banj, Wizkid, and Burna Boy were frequently played at house parties.

There's a vibrant cultural exchange between the African continent and its diaspora. Young Africans in the diaspora attend concerts and music festivals like Afro Nation, and many travel to Nigeria and Ghana to party during the holiday season affectionately known as “Deti December.” Eazi told me that the diaspora, including the UK, has played a role in popularizing African music globally. “They're the ones who defined what cool was and embraced Africanness,” he said.

Here's a playlist perfect for your holiday weekend BBQ. It features some of the biggest names on the African continent, as well as some international artists. It also features Amapiano, a house genre that originated in South Africa, and “1er Gaou,” an Ivory Coast track that's a staple at African hall parties. Enjoy!

Related: Hip hop is taking the French music industry by storm, infiltrating new words and phrases from Africa into French suburbs and cities.

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